Home Ed: 39: November/2014

Ed: 39: November/2014

The Last Word: Stage Frights

The Last Word: Stage Frights

In New York, the Metropolitan Opera began showcasing the opera, "The Death of Klinghoffer", which has rarely been praised on the basis of artistic merit but gained notoriety for promoting a moral equivalence between murderers (in this case, terrorists from the Palestine Liberation Front) and their victim (in this case, wheelchair-bound American Leon Klinghoffer).

Charles Ascher Small and other scholars have outlined some of the intellectual and moral failings of the opera, which begin with the title - why wasn't it accurately dubbed "The Murder", rather than "The Death"?